Abstract
As a free tribute to the philosopher, politically active revolutionary and French internationalist Daniel Bensaïd (1946-2010), who has been deeply marked by Walter Benjamin’s contributions, this article proposes an exploration of melancholy in eleven stages, crossing a variety of cultural registers (philosophical, sociological, political, and literary texts as well as popular songs), and a diversity of “language games” in Ludwig Wittgenstein’s sense. In the course of this itinerary a cross-border epistemology, still little known in the social sciences, capable of stimulating the sociological imagination is outlined.This work is licensed under a Creative Commons Attribution 4.0 International License.
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